Costume Handling Day

 Great Morning today at Bankfield Museum for a Costume Handling workshop. 

Costumes from Pride & Prejudice (Yes, that shirt), Emma and Gentleman Jack, as well as genuine original garments that have inspired costumes. 

The Allure of Sailors in Homoerotic Art and Fiction: A Historical Perspective

 

The Allure of Sailors in Homoerotic Art and Fiction: A Historical Perspective

The figure of the sailor has long held a unique place in the history of homoerotic art and fiction, symbolising freedom, strength, and a life led beyond the constraints of society. From literature to visual art, sailors have captivated artists and writers for centuries, creating an enduring image that celebrates masculinity, camaraderie, and the unspoken undercurrents of desire within isolated, male-dominated worlds. Let’s explore the origins of the sailor’s role in homoerotic art and fiction and how this image became iconic in LGBTQ+ culture.

The Origins of the Sailor as Homoerotic Symbol

In European culture, the sailor emerged as a potent archetype in the 19th century, when the age of naval exploration and empire-building was at its height. The Navy, an intensely masculine institution where men spent months or years at sea, separated from women and family life, was an environment that naturally sparked public fascination. Sailors were viewed as adventurous and courageous, embodying ideals of rugged, physical masculinity, but their enforced isolation from society also stirred imaginations about what might take place out on the high seas.

Writers like Herman Melville and Joseph Conrad hinted at the deep emotional and physical bonds formed between sailors, though these depictions were largely coded or implied. Melville’s Moby-Dick (1851) features an intimate bond between Ishmael and Queequeg, his Polynesian crewmate, which many critics argue reflects an early form of homoeroticism in literature. Though written in America, Moby-Dick had a significant influence on British writers and readers, inspiring a fascination with seafaring life that extended to homoerotic themes.

Sailors in Art: A Visual Tradition of Desire

The sailor’s robust physique and iconic uniform provided an irresistible muse for artists, particularly in the early 20th century. As society began to shift toward more liberal attitudes on sexuality and gender, artists used the sailor as a discreet motif to explore same-sex desire.

One of the most iconic artists in this regard was Finnish artist Tom of Finland (Touko Laaksonen), whose hypermasculine, eroticised drawings from the mid-20th century often featured sailors in provocative poses. His work cemented the sailor as a gay icon, establishing an aesthetic that celebrated the masculine ideal while challenging societal taboos. Sailors in his art were powerful, confident, and unabashedly sexual – a stark contrast to the hidden lives many LGBTQ+ individuals had to lead at the time.

Across the Atlantic in the UK, British artists like Duncan Grant of the Bloomsbury Group created art that subtly celebrated male beauty and friendship, often with sailors as the subjects. While Grant’s work was more subdued compared to Tom of Finland’s, it nonetheless contributed to the development of a homoerotic sailor aesthetic, portraying sailors as free-spirited, virile, and at times vulnerable.

The 20th Century and Rise of Homoerotic Fiction

The 20th century saw an explosion of homoerotic literature, and the sailor became a recurring figure in these narratives. This was partly due to social and political changes – after both World Wars, Western society began to see a shift in sexual norms. In the UK, the Sexual Offences Act of 1967 decriminalised homosexuality, sparking greater visibility and acceptance for LGBTQ+ identities. Sailors remained a popular figure in this period, often symbolising a rugged, almost mythical masculinity that many LGBTQ+ men found both aspirational and relatable.

Jean Genet, a French novelist and playwright, celebrated sailors in his novels, especially in Querelle of Brest (1947), a work filled with homoerotic themes and sexual tension. Genet’s sailors were rough, passionate, and openly sensual, offering readers a powerful depiction of same-sex desire in a time when such themes were still controversial. His work influenced British and European writers, many of whom embraced the motif of the sailor as a means of exploring queer narratives without explicitly defying social mores.

Contemporary Representations and the Legacy of the Sailor

Today, the sailor remains a powerful symbol in LGBTQ+ art and literature, both for its historic appeal and its role as an icon of liberation. From art exhibitions to queer literature, the image of the sailor continues to captivate audiences and remind us of the transformative power of desire and companionship. Artists and authors still explore the intimacy of seafaring life, pushing boundaries and exploring the nature of masculinity, isolation, and longing in new and profound ways.

In the context of British LGBTQ+ culture, sailors represent resilience, freedom, and a deep-rooted pride in embracing one’s true self. The enduring fascination with sailors in homoerotic art and fiction is a testament to the universal appeal of the sea – a place where societal boundaries dissolve, and self-discovery is possible. Sailors in this cultural sphere are more than mere figures of lust; they are icons of the freedom to explore love and identity in all its forms.

As we reflect on these representations, we see that the allure of sailors in homoerotic art and fiction is a celebration of a life unbound – one that resonates as deeply today as it did centuries ago.

PhD Interview

 Interview booked, can't wait. 

External Examiner

 At my last couple of Professional Development meetings, it was suggested that I look for an opportunity to become an external examiner. 

After a couple of rejections, I was excited to be offered a role.

Publishing

 I enjoyed a great talk on publishing and was made aware of the ALCS and British Library (PLR) schemes that ensure you get your royalties.

https://alcs.co.uk/

https://www.bl.uk/plr/

A couple more MOOCs

 While looking at PhDs, I stumbled across several interesting MOOCs on Futurelearn.

Gender-Based Violence: Responding to Intimate Partner Violence and Abuse

 The University of Glasgow

and 

A Global History of Sex and Gender: Bodies and Power in the Modern World

 The University of Glasgow

I have completed week one of each, now just waiting for week two to open up.

Discovering you PhD Potential (MOOC)

 First reflection

Activity

We would like you, in your Reflective Journal, to begin to form a clear career path.

• Where do you see yourself in five years’ time? In ten years?

In five years, I hope to be nearing the end of my PhD, with my PGDE under my belt. I will still be working in the same job or something similar. I will have fully developed the MA courses that I am writing, and they will be live. I will have completed the extra research I am doing now and finished writing my book.

In ten years, I will have completed my PhD, and I hope to have finished writing another book based on my research.

Consider carefully whether doing a PhD will help you to fully achieve this, and if so how?

• Do you need to consider other types of study before embarking on a PhD?
  
  I have completed a BA and MA Res; I am hoping to submit my AFHEA in the next few weeks, and hope to move on to FHEA and, hopefully, SFHEA.

Women in War Study Group

Whilst looking for something else, I can't remember what exactly I discovered the Women in War study group, it seems that it is something I need to look into further. 

 Women in War Study Group | John & Celia Lee

PGDE second attempt.

 It was on

Then off

Then on

Then started

Then off

More on this when I feel up to it.

BCMH New Researchers

Today, I presented my First Paper at the British Commission for Mistory History New Researchers Conference in Portsmouth today. 

Society for Nautical Research Winter Lectures

Looking forward to the next season of Winter lectures from the Society for Nautical Research.

 Winter Lecture Series 2024-25

MA Hand in (at last)

It's been a long slog, mainly due to changes in the University, supervisory teams moving on, and having to get used to new supervisors, but I got there. 

And so, after a few ups and downs, it's handed in at last.

It's a huge relief to have handed in, and now looking forward to moving on to my PGDE next month. 

New Researchers in Maritime History Conference 2024

Another fantastic day at the New Researchers in Maritime History Conference this year at the University of Strathclyde. 

Some excellent papers, really informative. 

The university itself, at least the building I was in, had a certain charm, though walking up and down the hill was a killer. 

PGCaP Careers Development and Empoyability

 I enrolled, I started, and I was off. 

I enrolled in PGCap Careers Development and Employability. Unfortunately, for reasons beyond my control, I hadn't been able to hand in my MA, so I ended up Dual enrolling and was forced to withdraw from the PGCap.