Tuesday, September 16, 2025

Lee Miller and the WRNS: Documenting Naval Women Through a Surrealist Lens

Lee Miller (1907–1977) is widely celebrated for her contributions to surrealist photography and her groundbreaking work as a war correspondent during the Second World War. While her images of liberated concentration camps and frontline combat remain iconic, Miller’s lesser-known documentation of the Women’s Royal Naval Service (WRNS) offers a compelling insight into gender, representation, and military service in wartime Britain.

In 1943, Miller was accredited as a war correspondent for Vogue, a role that allowed her to photograph British women in uniform across various services, including the WRNS. Her assignment was ostensibly to produce editorial content for the magazine, but Miller’s approach went far beyond fashion reportage. She was deeply engaged with the subject matter, often photographing more than required, driven by a personal fascination with women’s wartime roles.

Her WRNS photographs capture women engaged in technical, logistical, and strategic naval operations—roles that challenged prevailing gender norms. These images are notable for their compositional strength and empathetic gaze. Miller’s background in surrealism and fashion photography lent her work a distinctive aesthetic, blending elegance with realism. The result is a visual archive that dignifies and humanises its subjects, portraying WRNS personnel not as auxiliaries but as integral to Britain’s naval infrastructure.

Miller’s work contributed to a broader cultural shift in how women’s military service was perceived. By publishing these images in Vogue, she reached audiences who might not otherwise have encountered such representations, subtly reshaping public understanding of women’s capabilities and contributions.

The Lee Miller Archives, curated by her son Antony Penrose, preserve this extraordinary body of work. The archive includes her WRNS photographs alongside her wider wartime portfolio, surrealist experiments, and personal correspondence. It is an invaluable resource for scholars of visual culture, gender studies, and military history.

Explore the archive and learn more about Miller’s work at www.leemiller.co.uk.

 

Thursday, September 11, 2025

Navigating Museum, Heritage, and Archive Education in the UK

 

I have recently been considering my next steps, and one possible option is Museum Studies. 


Below are a few of the options I have looked at.

🎓 University Degree Programmes

University of Leicester

  • MA, MSc, PGDip, PGCert, PhD in Museum Studies
  • Distance learning and short courses available
  • Globally recognised for museum research and practice
    🔗 Explore Leicester’s Museum Studies

University of Glasgow

  • MSc Museum Studies
  • Combines academic and practitioner input with access to national collections
    🔗 Museum Studies at Glasgow

University of Aberdeen

  • MLitt Museum Studies and Digital Museum Practice (Online Short Course)
  • Focus on ethics, digitality, and curatorial practice
    🔗 Digital Museum Practice

University of Dundee

  • Archives and Records Management (PGCert, PGDip, MLitt, MSc)
  • Fully online and accredited by the UK Archives and Records Association
    🔗 Dundee Archive CPD

University of Southampton


🧠 Short Courses and CPD

University of Dundee – CAIS

  • Offers 15-week CPD modules in:
    • Archive Management
    • Digital Preservation
    • Records Compliance
      🔗 CAIS CPD Modules

University of Aberdeen

  • Digital Museum Practice (12-week online course)
  • Ideal for early-career professionals
    🔗 Digital Museum Practice

FutureLearn

  • Behind the Scenes at the 21st Century Museum (University of Leicester & National Museums Liverpool)
  • Free online course exploring museum roles and ethics
    🔗 FutureLearn Museum Course

🏛️ Professional Bodies and Sector Training

Museums Association

  • Museum Essentials: Free online CPD for members
    • Topics include decolonisation, ethics, collections, and climate justice
      🔗 Museum Essentials

The National Archives

  • PAST Programme: Practical Archival Skills Training
    • Level 1: Intro to archival research
    • Level 2: Skills & methodology
    • Level 3: Records workshops
    • Thematic online workshops available
      🔗 PAST Training

📚 Collaborative PhD Opportunities

The National Archives

  • Member of Doctoral Training Partnerships (DTPs)
  • Offers Collaborative Doctoral Partnerships (CDPs) with UK universities
  • Topics include:
    • Digital preservation
    • Indigenous histories
    • AI-driven cataloguing
      🔗 Collaborative PhDs


 


Wednesday, September 10, 2025

Tailored for the Skies: Presenting at the RAF Museum Conference

 Earlier this month, I had the privilege of presenting my research at the RAF Museum Conference held at RAF Museum Hendon on the 4th and 5th of September. The theme, New Perspectives in Military Aviation Research, brought together an inspiring mix of scholars, curators, and practitioners exploring the evolving narratives of air power, personnel, and technology.

My talk, “Tailored for the Skies”, formed part of Panel 3 – Public Perceptions, Image and their Impact, and introduced early findings from my wider PhD project, Anchored in Attire: The Evolution of Women’s Uniforms and Roles in the Royal Navy and Maritime Sectors. I focused on the evolution of women’s flight gear in the Royal Navy, examining how uniform design reflects and influences operational roles, identity, and gender inclusion in maritime aviation.

My Presentation: Highlights and Reflections

Drawing on historical analysis, ergonomic studies, and modern anthropometric data, I explored:

  • Historical exclusion and legacy: From WRNS support roles to frontline aviation, and the challenges of adapting gear designed for male physiology.
  • Physiological and operational challenges: Including tactical dehydration, decompression sickness, and spinal injury risks during ejection.
  • Technological innovations: Such as the AIRUS system for in-flight bladder relief, maternity flight suits, and the MOD’s Tri-Service Anthropometry Survey.
  • Strategic benefits: Inclusive gear improves mission readiness, recruitment, and retention, aligning with UK and NATO equality mandates.

This presentation was a theoretical deep dive, still very much in its early stages, but it sparked valuable conversations and feedback that will help shape the next phase of my PhD.

A Conference Rich in Ideas

The conference programme was packed with thought-provoking sessions. I was especially inspired by the diversity of topics and the interdisciplinary approaches taken by fellow presenters.

Panel 1 opened with discussions on doctrine and procurement, including Paul Stoddart’s critique of bureaucratic rigidity in RAF aircraft development and Matthew Powell’s insights into the Air Ministry’s shift to all-metal aircraft.

Panel 2 tackled Bomber Command with powerful papers like Thomas Withington’s exploration of Operation Firebash and the RAF’s use of napalm, and Patrick Major’s analysis of Arthur Harris’s publicity war with the BBC.

In my own panel, I was honoured to present alongside:

  • Sophy Higgins, who examined the gendered legacy of Viscountess Katherine Trenchard and the emotional labour behind RAF memory-making.
  • Dr Damayanthie Eluwawalage, whose sweeping history of aviation attire from the balloon era to the shuttle era offered rich context for my own work.
  • Russell Shanks, who explored representations of British Air Power in digital wargames, raising questions about authenticity and cultural memory.

Panel 4 explored the multinational context of air forces, with William Gillispie’s moving account of African American aviators in WWI and Russell Smith’s research on Caribbean-titled squadrons and wartime sponsorship.

Day two brought equally compelling sessions. Panel 5 on myth-making and memory featured Ewan Burnet’s reflections on oral history and RAF culture, while Panel 6 addressed the environmental impact of air power, including Gary Willis’s reappraisal of the Dambusters’ Raid as environmental warfare.

The conference concluded with Panel 7, looking to the future of air power, including Samuel Oyewole’s African perspectives on AI and autonomous warfare: a vital reminder of the global dimensions of military aviation.

Keynote: Material Memories of the Cold War

The keynote by Dr Sam Alberti and Prof Holger Nehring, Material Memories of the Cold War, was a highlight. Their talk explored how museum artefacts, especially aircraft like the Vulcan, shape public memory and historical interpretation. It was a timely and nuanced reflection on how Cold War heritage is experienced today, especially in light of recent global conflicts.

Final Thoughts

Presenting at the RAF Museum Conference was a fantastic opportunity to share ideas, connect with fellow researchers, and engage with cutting-edge scholarship. The event was impeccably organised, with generous hospitality and a warm, inclusive atmosphere. I left feeling energised, informed, and excited to continue developing my research.

 


This exhibit seemed to have been one of the most popular, judging from the amount of people who paused to view it. 


Sunday, August 10, 2025

PGCE/PGCDE - And so it continues or not as the case might be.

For those who follow my blog, you will know I've been battling to complete my PGCE/PGDE since finishing my degree. 

My course has been cancelled, and I've been forced to withdraw due to dual enrollment issues (https://maturestudentsdiary.blogspot.com/2024/10/pgde-second-attempt.html)

In September 2023, I enrolled, believing that the MA would be submitted and wouldn't be an issue. Of course, that was before the start of the redundancy issues. This course and several others I enrolled in that year were cancelled due to a lack of students.

In September 2024, I enrolled again, and the same thing happened again: I found a course, started it, and was forced to withdraw because I was dual-enrolled. While the course was run at a college, it was attached to the university at which I had completed and submitted my MA (in August 2023), but was awaiting marking. 

Fast forward to September 2025, I enrolled at the beginning of the summer at the same college as last year, and I was informed that the fees had increased.  I finally received my MA marked in September with corrections, along with an email stating that I'm ineligible to enrol on PGCE/PGDE at that college due to being dual enrolled. 

Will I ever complete my PGCE/PGDE? Who knows, at this point it's not about the course or the qualification anymore, it, more about the point. 

Monday, April 28, 2025

Caird Fellowship

 I applied last January, though it was a bit of a last-minute application as I didn't see the advertisement until late. Not surprisingly, I was unsuccessful. 

I plan to reapply, but am building a stronger application. 

Saturday, November 30, 2024

Costume Handling Day

 Great Morning today at Bankfield Museum for a Costume Handling workshop. 


Costumes from Pride & Prejudice (Yes, that shirt), Emma and Gentleman Jack, as well as genuine original garments that have inspired costumes. 



































Saturday, November 9, 2024

The Allure of Sailors in Homoerotic Art and Fiction: A Historical Perspective

 

The Allure of Sailors in Homoerotic Art and Fiction: A Historical Perspective

The figure of the sailor has long held a unique place in the history of homoerotic art and fiction, symbolising freedom, strength, and a life led beyond the constraints of society. From literature to visual art, sailors have captivated artists and writers for centuries, creating an enduring image that celebrates masculinity, camaraderie, and the unspoken undercurrents of desire within isolated, male-dominated worlds. Let’s explore the origins of the sailor’s role in homoerotic art and fiction and how this image became iconic in LGBTQ+ culture.

The Origins of the Sailor as Homoerotic Symbol

In European culture, the sailor emerged as a potent archetype in the 19th century, when the age of naval exploration and empire-building was at its height. The Navy, an intensely masculine institution where men spent months or years at sea, separated from women and family life, was an environment that naturally sparked public fascination. Sailors were viewed as adventurous and courageous, embodying ideals of rugged, physical masculinity, but their enforced isolation from society also stirred imaginations about what might take place out on the high seas.

Writers like Herman Melville and Joseph Conrad hinted at the deep emotional and physical bonds formed between sailors, though these depictions were largely coded or implied. Melville’s Moby-Dick (1851) features an intimate bond between Ishmael and Queequeg, his Polynesian crewmate, which many critics argue reflects an early form of homoeroticism in literature. Though written in America, Moby-Dick had a significant influence on British writers and readers, inspiring a fascination with seafaring life that extended to homoerotic themes.

Sailors in Art: A Visual Tradition of Desire

The sailor’s robust physique and iconic uniform provided an irresistible muse for artists, particularly in the early 20th century. As society began to shift toward more liberal attitudes on sexuality and gender, artists used the sailor as a discreet motif to explore same-sex desire.

One of the most iconic artists in this regard was Finnish artist Tom of Finland (Touko Laaksonen), whose hypermasculine, eroticised drawings from the mid-20th century often featured sailors in provocative poses. His work cemented the sailor as a gay icon, establishing an aesthetic that celebrated the masculine ideal while challenging societal taboos. Sailors in his art were powerful, confident, and unabashedly sexual – a stark contrast to the hidden lives many LGBTQ+ individuals had to lead at the time.

Across the Atlantic in the UK, British artists like Duncan Grant of the Bloomsbury Group created art that subtly celebrated male beauty and friendship, often with sailors as the subjects. While Grant’s work was more subdued compared to Tom of Finland’s, it nonetheless contributed to the development of a homoerotic sailor aesthetic, portraying sailors as free-spirited, virile, and at times vulnerable.

The 20th Century and Rise of Homoerotic Fiction

The 20th century saw an explosion of homoerotic literature, and the sailor became a recurring figure in these narratives. This was partly due to social and political changes – after both World Wars, Western society began to see a shift in sexual norms. In the UK, the Sexual Offences Act of 1967 decriminalised homosexuality, sparking greater visibility and acceptance for LGBTQ+ identities. Sailors remained a popular figure in this period, often symbolising a rugged, almost mythical masculinity that many LGBTQ+ men found both aspirational and relatable.

Jean Genet, a French novelist and playwright, celebrated sailors in his novels, especially in Querelle of Brest (1947), a work filled with homoerotic themes and sexual tension. Genet’s sailors were rough, passionate, and openly sensual, offering readers a powerful depiction of same-sex desire in a time when such themes were still controversial. His work influenced British and European writers, many of whom embraced the motif of the sailor as a means of exploring queer narratives without explicitly defying social mores.

Contemporary Representations and the Legacy of the Sailor

Today, the sailor remains a powerful symbol in LGBTQ+ art and literature, both for its historic appeal and its role as an icon of liberation. From art exhibitions to queer literature, the image of the sailor continues to captivate audiences and remind us of the transformative power of desire and companionship. Artists and authors still explore the intimacy of seafaring life, pushing boundaries and exploring the nature of masculinity, isolation, and longing in new and profound ways.

In the context of British LGBTQ+ culture, sailors represent resilience, freedom, and a deep-rooted pride in embracing one’s true self. The enduring fascination with sailors in homoerotic art and fiction is a testament to the universal appeal of the sea – a place where societal boundaries dissolve, and self-discovery is possible. Sailors in this cultural sphere are more than mere figures of lust; they are icons of the freedom to explore love and identity in all its forms.

As we reflect on these representations, we see that the allure of sailors in homoerotic art and fiction is a celebration of a life unbound – one that resonates as deeply today as it did centuries ago.

Thursday, November 7, 2024

PhD Interview

 Interview booked, can't wait. 

External Examiner - Part 1

At my last couple of Professional Development meetings, it was suggested that I look for an opportunity to become an external examiner. 

After a couple of rejections, I was excited to be offered a role.


Update January 2025

It was great, I was issued an email address and a login, and then a month or so later, they realised there was a clash of interests due to someone from that university being an EE at the university I work at. 

Publishing

 I enjoyed a great talk on publishing and was made aware of the ALCS and British Library (PLR) schemes that ensure you get your royalties.


https://alcs.co.uk/

https://www.bl.uk/plr/


Wednesday, October 23, 2024

Discovering you PhD Potential (MOOC)

 First reflection

Activity

We would like you, in your Reflective Journal, to begin to form a clear career path.

  • Where do you see yourself in five years’ time? In ten years?
In five years, I hope to be nearing the end of my PhD, with my PGDE under my belt. I will still be working in the same job or something similar. I will have fully developed the MA courses that I am writing, and they will be live. I will have completed the extra research I am doing now and finished writing my book.

In ten years, I will have completed my PhD, and I hope to have finished writing another book based on my research.

Consider carefully whether doing a PhD will help you to fully achieve this, and if so how?

  • Do you need to consider other types of study before embarking on a PhD?

    I have completed a BA and MA Res; I am hoping to submit my AFHEA in the next few weeks, and hope to move on to FHEA and, hopefully, SFHEA.

Tuesday, October 22, 2024

Women in War Study Group

Whilst looking for something else, I can't remember what exactly I discovered the Women in War study group, it seems that it is something I need to look into further. 


 Women in War Study Group | John & Celia Lee

PGDE second attempt.

 It was on

Then off

Then on

Then started

Then off


More on this when I feel up to it.